Uncovering the Path to Uncovered: A Celebration of Leah Lax

August 31, 2015, by

Book jacket for Uncovered by Leah LaxAs any writer will tell you, the publication of a book is an occasion for celebration—especially one that has been written and rewritten and agonized over for a decade. So it is clearly time for Leah Lax to celebrate the publication (on August 28) of her long awaited and compelling memoir, Uncovered: How I Left Hasidic Life and Finally Came Home.

Inprint’s connection to Leah and this book goes back many years. You might consider this “extra-textual”: it’s not in the book.

Sometime in early 1996, when I was still “the new guy” at Inprint, I received a phone call from Rosellen Brown, the acclaimed writer and faculty member at the UH Creative Writing Program (UH CWP). Rosellen had a friend in the Houston Hasidic community who was a school teacher and a talented writer. Inprint gave scholarships to Houston-area K-12 teachers to take our writers workshops. (Now we offer Teachers-as-Writers Workshops, essentially the same thing.) Rosellen wondered: Could her friend Leah receive a teacher scholarship?

Of course, I said—and the rest is history. Continue reading

Matthew Salesses talks about The Hundred Year Flood and more

August 27, 2015, by

A big congratulations to Houston writer Matthew Salesses. Matthew, a current PhD candidate at the UH Creative Writing Program, has received the Inprint Donald Barthelme Prize in Fiction, teaches Inprint Writers Workshops and Inprint Life Writing Workshops at Houston Methodist Hospital, has served as an Inprint Poetry Busker, and can also be found live tweeting at some Inprint readings.  Matthew’s new novel The Hundred Year Flood was just published and is receiving rave reviews. He reads on Friday, August 28, 7 pm at Brazos Bookstore, 2421 Bissonnet. All his fans are excited to hear him read. Here Inprint blogger Erika Jo Brown talks about Matthew’s new book and shares her lively email exchange with him.

salesses-hundred-year-flood-20201-cv-ft-v1As you read Matthew Salesses’s beautiful new novel, The Hundred-Year Flood, the Prague setting and “love square” may remind you of The Unbearable Lightness of Being. The visceral treatment of a natural disaster may call to mind the aftermath of Hurricane Katrina, especially for readers around the Gulf. The haints and spirits that follow the protagonist may suggest the hauntings of Beloved. The bewitching effects of an artist couple will delight fans of The Woman Upstairs. The novel’s compelling, phantasmagorical tone may stir up thoughts of Murakami.

With these literary constellations, Salesses has conjured up a wholly original novel, touching on the reverberations of adoption and how family secrets can affect nearly-grown children—an age of development often overlooked in this context.

Salesses is currently a Ph.D. candidate in Creative Writing and Literature at the University of Houston, and a regular workshop leader for Inprint. We recently emailed about his brilliant book. Continue reading

Words and Art Reading featured poetry and prose inspired by Ben Butler’s UnBounded

August 24, 2015, by

IMG_4154As a proud UH graduate student (go Coogs!), I don’t often make it to the Rice University campus. But on a serene Wednesday evening, during the first true break in the heat, when the hallowed walkways and archways were glazed with late-summer rain, I found myself entering the Rice Art Gallery, attending my first ever Words and Art reading.

Coordinated by Mary Wemple, a local poet-artist, the Words and Art reading series has been going strong since 2011. This particular reading featured poetry and prose inspired by artist Ben Butler’s sculpture/installation Unbounded.

Consisting of 10,000 hand-pegged poplar sticks, arranged into organically-shaped, three-dimensional grids, the work was magnificent. It managed to simultaneously draw attention to the scale and chaos of human behavior, and create a calming landscape for reflection. Continue reading

The personal essay is alive and well

August 4, 2015, by

2_Speaker and audience GOODIt’s a decent crowd at Brazos Bookstore, on a Thursday evening in late July. Wine, beer, and water are on offer, and cheese and crackers. It’s festive, convivial, the usual gracious Brazos atmosphere for a reading—with the exception that we aren’t gathered to listen to a single visiting writer. Instead, unusually, we’re here to listen to each other.

Brazos has graciously agreed to host a group reading by the members of Erika Jo Brown’s Inprint personal essay workshop. They’ve been meeting under Erika’s guidance for two months this summer to think about and experiment with the craft of this varied, extensive form, which (as Erika points out in her course description) can be both “intellectually rigorous and exploratory.” These folks are used to reading to each other, sharing and responding to each other’s work, and considering examples by selected essayists to help them think about such matters as “narrative arc, emotional ‘stakes,’ concretizing details, dialogue, point of view, characterization,” and  more. They’ve been working, three hours a week for eight weeks at Inprint House. Now they’re going to take a big step outside the intimate confines of the workshop and strut their stuff publicly.

You can spot the essayists—they’re the restless ones with papers in their hands. The rest of us—friends, family, and curious others who found the reading on the Brazos schedule—are here to support them and listen to a sample of their work. Continue reading