What is it about an age-old story that makes people want to experience it again and again? Certainly variation via content, form, or other means can help, but how many times can a story play this quasi three-card Monte before people’s interests are sucked toward the table up the block?
The answer to this could surely focus on the machinations of narrative or even the socio-biology of humans, or, much more simply, the evident fact that folks love the salacious (like really love the salacious), but one thing is for certain: the phenomenon of a narrative never losing its color despite repeated washings is one that continues to happen. For instance, on May 31st the River Oaks Theatre is having a special film presentation of Wagner’s Tristan and Isolde, a story that has its origins in the 12th century, and, more to the point, has a history of being told and retold that is more varied and alive than arguably any other narrative. Continue reading