Charlotte Wyatt

About Charlotte Wyatt

Charlotte is an MFA student in fiction at the University of Houston. She is the Fiction Director for the Napa Valley Writer's Conference, and serves as a Fiction Editor for Gulf Coast: A Journal of Literature and the Arts. She is at work on a novel.

Get away this summer to write

March 6, 2017, by

At the Association of Writers and Writing Programs’ annual conference last month, I was amazed by how many summer intensives and workshops for writers were represented on the conference floor. I’ve been lucky to attend a couple in the past, and not only were they transformative to my writing, but each was a great experience overall. (And now that I’m a Houstonian, I realize a summer workshop might also offer a break from the heat…) Since late winter and early spring are when most application deadlines roll around, Inprint suggested I gather the postcards and flyers I collected and share what I found:

napawriters_headerimageNapa Valley Writer’s Conference in St. Helena, CA – July 23rd to July 28th

I have to start here because, full disclosure, I work for this one. I was a participant more than once before they took me on, and each time was not only great for my writing, but the highlight of my summer. You can apply until March 31st for a spot in fiction or poetry, and financial aid is available. Who doesn’t want to write in gorgeous California wine country? Learn more about the faculty, applications process, and deadlines here.

The Breadloaf Writer’s Conference in Ripton, VT

Middlebury College in Vermont has hosted the renowned Breadloaf Writer’s Workshop since 1926. Unfortunately, their application deadline was February 15th  (maybe next year!). Breadloaf now offers an Environmental Writing Workshop (in conjunction with the magazine Orion) and a Translator’s Conference that takes applications until March 1st. They also have a workshop in Sicily that offers rolling admissions til mid-April. You can learn about the individual conferences and their deadlines, faculties, and admissions processes here. Continue reading

Six Tips On Writing From Annie Proulx’s Talk on Craft

February 6, 2017, by

RM3_4143Houston readers and writers alike crowded the Cullen Theater last month to see Annie Proulx read as part of the Inprint Margarett Root Brown Reading Series. She shared an excerpt from her latest book, the award-winning novel Barkskins and gave a brief interview after the reading.

Earlier that same day, as part of an Inprint Craft Talk/Q&A, Proulx generously offered students at the University of Houston a rare opportunity to hear her thoughts on literary craft. Though quick to point out she has never taught creative writing, she answered questions and shared advice culled from her own process. We’ve excerpted a few points from her talk to share with Inprint’s audience:

  • Get involved with words. “[…] the words of your background, the words of your place, the words of your parents.” Proulx emphasized the value of enlarging your vocabulary, especially with rare or unusual language that has fallen out of use: “[…] words that used to be so meaningful about how things were made and cared for.”

Continue reading

Rabih Alameddine & Juan Gabriel Vásquez talk about fiction teaching empathy and guarding our memories

December 6, 2016, by

Rabih at podiumOn November 21st, the Alley Theatre was already decked for the holidays. A grove of themed trees in the lobby welcomed the Inprint Margaret Root Brown Reading Series for the final performance of the year. Inside, Rabih Alameddine and Juan Gabriel Vásquez read from their novels on the dormant set of A Christmas Carol, and artificial flurries escaped from their rigging throughout.

Though the theater looked towards Christmas, both Alameddine and Vásquez spoke towards the gratitude and displacement so many of us experience on the Thanksgiving weekend, whether or not we return home or reconnect with loved ones. Their words were melancholy and reflective. Alameddine’s The Angel of History spoke of loneliness and makeshift family; the narrator tells his lost love, “you left me roofless in a downpour.” Vásquez prefaced his reading by explaining the words he would read were not his own, and while he thanked his translator, compared the experience to reading someone else’s work. Continue reading

Donald Barthelme’s Snow White comes to the stage

November 8, 2016, by

Snow White for eblast image004While most of us will focus on electoral theatrics until late Tuesday, The Catastrophic Theatre, Inprint, and Brazos Bookstore will be there to raise the curtains, come what may, on Wednesday night.

In partnership with Inprint and Brazos Bookstore, Catastrophic Theatre will give a staged reading of Donald Barthelme’s novel Snow White this Wednesday, November 9th at 7:00 pm. The performance will take place at Brazos Bookstore, and is free and open to the public. Join us if you can, and stay tuned—this is only a preview of the complete adaptation set to run next year!

The full production will open in early April to honor Donald Barthelme, who played a key role in establishing Houston as a vital center for the literary arts. Inprint Executive Director Rich Levy recalled the piece as read by the Alley Theatre actors, which he described as “brilliant and funny and irreverent [..].” He felt a full adaptation would be an ideal way to bring the author’s fans together, and “Luckily,” he told us, “Katharine Barthelme [Barthelme’s daughter] and Greg Dean (of Catastrophic) were equally thrilled!” Continue reading

Lauren Groff & Ann Patchett charm audiences at Inprint reading

October 21, 2016, by

RM3_3546Last Monday night, the Inprint Margarett Root Brown Reading Series brought award-winning writers Lauren Groff and Ann Patchett to the Alley Theatre. Trying to find a seat in the sold-out crowd, I ran into a friend from my graduate program. We fell into a sudden and deep discussion about marriage, and what it means when only one rather than both members of a couple are able to pursue the career of their choice. How can you decide whose vocation will shape a family’s life?

RM3_3593Both of the featured novels that night, Fates and Furies by Lauren Groff and Commonwealth by Ann Patchett, concern the consequences of marriage, either maintained or dissolved, and the discussion that followed revealed the depth with which both writers have entertained questions similar to our own.

Groff introduced her reading by describing the composition of Fates and Furies, which examines a marriage from husband Lotto’s perspective before we hear from his wife Mathilde. As moments and phrases leapt to mind, Groff says she darted from her desk to record them on butcher paper hung from the wall, one for each character. Her startling language and sharp sense of the absurd was a perfect complement to Ann Patchett’s reading, which featured a large cast of Benadryl-tripping, gin-stealing, gun-toting kids whose families have been recombined by their parents’ changed relationships. In her selected passage, they mistake their longing to spend summer at a nearby lake as the source of their dislocation and sorrow. Continue reading

Houston writer Jennifer Staff Johnson gives first public reading

October 12, 2016, by

Jennifer Staff Johnson.689f418bce3e5f33635012ea502526aa21The Gulf Coast Journal’s Reading Series presents writers from the University of Houston’s nationally acclaimed Creative Writing Program, as well as renowned writers whose work has appeared in the magazine. This Friday, the Series presents Lisa Olstein, Henk Rossouw, Corey Campbell, and Jennifer Staff Johnson at Rudyard’s Pub in Montrose. Reading starts at 7 pm.

This week marks the very first public reading for Jennifer, who is a first-year MFA candidate in fiction at UH. She sat down with Inprint blogger Charlotte Wyatt to discuss her work and how Houston has shaped her writing.

CHARLOTTE: This is your first — okay, alright, second reading ever, but your first reading was Wednesday night as part of the Poetry & Prose series through UH. How did you choose what pieces to read this week? How did you prepare? Continue reading